The trial of Mr. Paramavaiṣṇava—known as Mr. “P,” a high-profile business tycoon with alleged government ties—begins on a foggy morning in a dimly lit New Delhi courtroom. Accused of insider trading, environmental violations, contempts of court in the DHFL scam, and political cronyism as a whole, he faces intense scrutiny. At the outset, Mr. P swears on the Bhagavad Gītā, portraying himself as a philanthropic figure. The prosecution challenges this, arguing that his religious rhetoric masks unethical practices. Citing multiple legal violations, the prosecutor even references the Gītā to question Mr. P’s credibility. The courtroom drama intensifies with allegations of political favouritism, corporate maneuvering to evade accountability, and undue political influence. As pressure mounts, Mr. P lashes out, declaring India’s justice system unfit and hinting at fleeing abroad. The session ends chaotically when he collapses, forcing an adjournment, while his defense lawyer mysteriously vanishes. Beyond the legal battle, the trial serves as a broader critique of systemic corruption, judicial bias, and the misuse of religious imagery to shield corporate misconduct.
Category Archives: Art of Resistance
Following the dictum “Cultural revolution must precede political revolution”, we are striving to create the scope for an alternative cultural space, which can offer resistance to all forms of coercion, and can also serve as a medium for conducting non-violent, horizontal dialogical exchanges.
Piramal Bound: The DHFL Gordian Knot (Movie)
The Movie deals with CBI’s 2025 clean chit for the Wadhawans, which perhaps changes the ongoing trajectory of justice in favour of the DHFL victims, who are still suffering financial ruin under the IBC’s brutal promise for “reform.” The CoC, acting as judge, jury, and executioner, sacrificed lakhs while BJP backed crony corporate profiteers like Ajay Piramal, whose empire thrives amid a number of scandals. DHFL, through mergers, became a ghost—existing simultaneously as PCHFL, and/or PEL…. yet erased. Will Piramal’s illusion hold? Can justice prevail? The fight isn’t over—history proves ghosts never die.
Haircuts: The Most Unkindest Cut of All! (A Satirical Skit)
The skit humorously explores the absurdity of two different “haircuts”—a financial disaster and a physical one. Y’s father loses his savings due to a bad investment as he narrates the episode to X, while Y follows his guru’s advice to donate all his hair to Lord Venkateswara at Tirupati. The skit critiques crony capitalism, government corruption, and the societal fixation on rituals, blending satire with social commentary as observed through X’s statements. It ends with Y realizing the futility of both haircuts and the systemic failures of the Indian state.
The House of Cards: The DHFL Debacle (MOVIE)
This agit-prop short film chronicles the origins of the DHFL scam, unraveling the layers of corruption and systemic failures that enabled one of India’s largest financial frauds. It delves into the root causes of the hardships endured by financially abused DHFL victims, exposing the exploitative mechanisms behind the so-called ‘bankruptcy’ and ‘insolvency’ narratives surrounding the AAA-rated NBFC DHFL. The film critically examines the unanswered questions that continue to haunt ordinary citizens, whose hard-earned savings were sacrificed at the altar of crony capitalism, facilitated by a regime deeply intertwined with the super-rich elite and their corporate allies. Yet, amidst the bleak revelations, the film concludes with a glimmer of hope. It envisions the power of collective struggle—a united front spanning both national and global arenas, taking shape on the streets and resonating across social media platforms. This cinematic effort by OBMA stands as a resolute call for justice in its truest sense, urging viewers to engage, resist, and advocate for accountability and systemic change. LIKE, SHARE, COMMENT AS MUCH AS POSSIBLE!
Challenging the IBC: No Shortcuts, No Surrenders! (DIGITAL POSTERS)
This collage of posters emphasizes the need for unwavering determination in challenging the Insolvency and Bankruptcy Code (IBC) without resorting to compromises or half-measures. It highlights the DHFL case as a crucial battleground, where systemic flaws in the IBC must be exposed to prevent exploitation by powerful corporate players. The message is clear: true justice demands resilience, not convenient shortcuts. The posters are intended to inspire collective action and raise awareness about the broader implications of this struggle.
Embers of Resistance: DHFL (Movie)
On a rain-soaked evening in New Delhi, DHFL scam victims march with quiet determination, their flickering candles symbolizing resilience. Youth protesters join, their chants and fiery defiance casting grotesque shadows of injustice. Chaos erupts as riot police attack, and an elderly woman’s tragic cry as she is consumed by flames becomes a harrowing symbol of justice crushed under crony capitalism.
This AI-crafted agit-prop film juxtaposes despair and defiance, capturing the indomitable spirit of solidarity. Dedicated to DHFL victims, it is a haunting call to resist oppression and fight for accountability.
Scam 2019: The DHFL Massacre
This #OBMA_video_collage vividly captures the intricate narrative of the DHFL Scam, one of the most monumental financial scandals in post-independence India. Through a compelling interplay of visuals and commentary, it unveils the layers of systemic malfeasance underpinning this saga. The video delves into the discursive formations and critical texts that expose the BJP’s entrenched crony-oligarchic framework, orchestrating financial exploitation at an unprecedented scale. It highlights the calculated siphoning of wealth from DHFL victims to enrich a select cohort of favored capitalists, offering a powerful critique of the nexus between power and profit.
পুং-তান্ত্রিকের নারীবাদচর্চা ও মানবীবিদ্যার আদ্যছেরাদ্দ
The article critiques the misuse of the term “feminism” in political and societal contexts, particularly in South East Asia, arguing that it is often reduced to superficial appeasement rather than genuine advocacy for gender egalitarianism. The piece also discusses the cultural complexity of the gender question, the superficial use of statistics as such, and the real challenges that Indian women face, such as malnutrition and gender-based violence. Emphasizing philosophical rigor, it highlights issues with binary gender norms in the context of discussing “gender neutral law” and advocates for nuanced, intersectional gender studies.
চন্দ্রাহত চন্দ্রচূড়
The Bangla blog post is a satirical critique of Justice Dhananjaya Chandrachud, the Chief Justice of India, highlighting his alleged contradictions between judicial conduct and religious involvement. It sarcastically reflects on his public participation in religious ceremonies, questioning the overlap between personal beliefs and professional duties. The article also touches on broader concerns about the fusion of politics, religion, and judiciary in India, referencing landmark cases like the Ram Mandir judgment and expressing frustration with the current socio-political landscape.
সঙ্কোচ থেকে সন্ত্রাসেঃ সংকটের ঘেরাটোপ
The article discusses a shift from hesitation to terror, framed within a broader socio-political context. It references historical events and figures, such as a jujutsu lesson at Tagore’s Santiniketan, and reflects on societal fears in modern times. The piece explores themes of empowerment, fascism, and the manipulation of power by the state. It draws parallels between past struggles and present challenges, advocating for an approach to resistance through self-awareness and resilience.
Once in a Blue Moon Academia 