The article reflects on the b r u t a l realities of gender-based v i o l e n c e and i-n-j-u-st-i-c-e, weaving together cultural, political, and artistic references. Through parodied and modified renditions of Rabindranath Tagore’s songs, the author critiques society’s handling of s e x u a l v I o l e n c e, specifically referencing cases like the h o r r I f I c c r i m e s against Nirbhaya, Asifa, Bilkis Banoo, Tiottama/Abhaya and so on…..The piece calls for non-violent civil disobedience movement against theocratic syndicate-dependent crony and monopoly capitalism and possible transformation(s), using powerful metaphors (displacement), metonyms (condensation) and imagery to convey the pain, rage, and resistance of survivors.